Dead Kid Harvester
Dead Kid Harvester is a solo avant-garde/experimental/noise artist with a complete disregard for any form of music convention such as harmony or tempo. The primary sounds used are vocals, kitchen utensils, and more recently querafansibles (bathroom objects). Grating vocals are delivered over a haphazard collage of recorded samples and segments, with frequent use of pitch shift/time stretch effects and disorienting variations between channels.
Dead Kid Harvester takes influences ranging from industrial and drone to doom metal, rock and punk, and polarises them into a disturbing cacophony of noise. The life of a song typically begins with poetic lyrics, written with no consideration for rhythm or beat. The preferred lyrical themes are insanity, horror, philosophy and the fate of humankind.
Bandcamp | Spotify | Facebook | SoundCloud | YouTube
Lyrics
Discography
Albums
The First Sign of Madness
22nd May 2018 | CD-R | Digital
Planet Bloopy | BLPY02
- Radiation
- My Brain Surgeon Has Parkinson's Disease
- Chronic Halloween Syndrome
- Wormy Justice
- White Coats and Strangled Throats
- Old Bloopbeard's Tale
- Microwave Pop Song
- Mind Lost
- Psychopathic Influence
- Sleep
- Harvester Kid Dead
- Architecture of Aggression
- Scab Made Out of Faeces
Compilations
Primordial Vestiges
18th Dec 2022 | Digital
Planet Bloopy | BLPY03
- Hungry Harvey (Cannibal Beat mix)
- Mind Lost (2002 version)
- White Coats and Strangled Throats (2002 version)
- Swinnie at the Operating Table
- Hungry Harvey (Crystal Ball mix)
- Wormy Justice (2003 version)
- Headzilla
- Mind Lost (Exorcise mix)
- Brain Derailment
- Dead Kid's Machine
A collection of songs that served as demos for Dead Kid Harvester albums. Originally recorded and released online as individual tracks between 2000-2004.
I Only Liked the Neglected Demos
5th Feb 2012 | Digital
Planet Bloopy | BLPY01
- They're Melting the Easter Bunny
- Proz' for Ma 'Hoes (Prozac Loops mix feat. Jase Cheese Motherfuckers)
- Wacko Wonderland
- Ode to a Fresh Fruit
- Mullet Army
A collection of songs that never made it beyond the demo stage. Originally recorded and released online as individual tracks between 2001-2003.
Various Artists
Anniversary
25th Feb 2024 | Digital
Bromtol Largesse | BL095
Features song City.
* Bandcamp
Undead Apocalypse
31st Aug 2022 | Digital
Paracelsian Records
Features song Hungry Harvey.
* Bandcamp
No Synth Noise Compilation 2017
10th Dec 2017 | Digital
Histamine Tapes | HT001
Features an interpretation of an Into Orbit track.
* Bandcamp
Through the Drift and the Unspoken
3rd Nov 2016 | Digital
Features song White Coats and Strangled Throats.
* Bandcamp
SIGNALVOID
8th Aug 2012 | USB Stick | Digital
SIGNALVOID
Features songs Puberty, Stubborn Cupboard.
5DBSSS One - tha ReeMux is
5th Sep 2011 | Digital
Itsu Jitsu | 5DBSSSR1
Metal on Utensil is a remix of Metal on Metal by Doug Sharp.
We'll Leave the Lights On
31st Oct 2009 | CD-R
He of the House | HOTHCOMP001
Features song Radiation.
DEMUS Compiled II
30th Oct 2009 | 2x CD-R | Digital
DEMUS | DEM-002
Features song Radiation.
* Bandcamp
History
In the year 2000, with the lyrics to Hungry Harvey written but no musical ability to back them, an alternative solution was conceived. Kitchen utensil samples were recorded and assembled into a short sound collage, which was looped to accompany the vocals. The song was completed at the beginning of December, and so, in Porirua, New Zealand, Dead Kid Harvester was born. The moniker is a combo of two nicknames acquired at high school, chosen to echo the off-putting sound of the music itself.
After recording only one more song in 2001, the demo phase flourished from 2002, with the project reaching a total of 16 tracks by the dawn of 2004. By now the appeal of standalone tracks had worn off and the idea of recording an album was all-consuming. But also very daunting, and life got too busy anyway.
In mid-2006, joining deviantArt reignited the spark of writing poems and lyrics, even if not initially intended for the project. In 2007 this extended to polishing up old Dead Kid Harvester lyrics. Soon after relocating to Auckland at the beginning of 2008, an album's worth was practically ready to go: five old songs and three new songs, plus instrumental track ideas and the incomplete words to Psychopathic Influence lurking. Three other poems from this period were only seen as fit for the project much later in hindsight, but something's got to go on the sophomore album.
Upon discovering the software Reaper, the impossible became possible, and recording of the debut full-length album began in May 2008. Momentum didn't last too well, with three of the longest tracks taking 2½ - 3 years each to complete. Finally, after nearly ten years of recording/production/procrastination, The First Sign of Madness was released in 2018. Almost everything was done DIY, such as the CD graphics layout, converting artwork and files, and most notably mixing and mastering (badly) to mirror the ineptitude of the music. Meanwhile, six weeks before it was released, recording the next album had already begun.
What began as fooling around with a few silly words and sounds grew into the ideal avenue for expressing the vast, labyrinthine unorthodoxies of my mind. Now instilled with a sense of gravitating towards astronomical concoctions. Watch this cosmos!
In the Media
Rock Royalty (Phoenix New Times, 22 Jan. 2004)
"You can hear some bad stuff, true. I mean, my favorite horrible band is Dead Kid Harvester, a guy out of New Zealand who plays kitchen utensils. It's the worst stuff on the planet."
Reviews
I Only Liked the Neglected Demos
"...all those other projects that were used somehow, I never liked those so much either, ever. Scrap it all, leave it to the garbage, and collect it again some other time to make an album of neglected demos! This is actually some of the goofiest, funniest, and fucked to the bone music heard in my ears in a long time, something in fact never heard in my entire listening experience. This is something entirely other, almost stupid in fact, well, fucking brilliantly stupid! A retarded genius of astral bafoonery! The feeling I get from this music is a kind of sensation in my brain that no other music has ever come close to. Two huge what the fucking middle finger thumbs up..." - Samuel Lilly, WTFMusic